#something something missed connections
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napping-sapphic · 1 year ago
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Does anyone else ever talk to another queer person like what if we loved each other what if we knew everything about one another what if we were each other’s most important person what if i loved you more than anyone else what if our paths never cross again after this and i’m left with this incomprehensible sense of loss over a stranger
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littiescorp · 9 months ago
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Damn, Renee's gift and goodbye to Jean nearly brought me to tears. The whole exchange was so sweet, I wasn't even that invested in their relationship but I'm grieving the loss
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sainz100 · 2 months ago
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2024 Brazilian GP | x
#franco colapinto#autumn posts#I'm so conflicted about all the rumors!!#I want him to have a spot for 2025!! but rbr is kinda falling apart!! and we've seen how especially callous they can be 😢#I miss Daniel so much 🥺 I've been on my usual insta dives and everytime I see vcarb I still pause out of habit#still I agree with so many folks that its good he got away from rbr who never were going to give him the respect and opportunities!!#so I worry for Franco!!!#and poor Max gosh this FiA balogna and the car just not performing 🥲#tbh I've been hiding in like 2017 posts just soaking up content I missed from bygone days!#I spam my sideblog verstappen100 if anyone wants like mostly Daniel throwback yearning hehe 🙂‍↕️#idk the vibes feel off this GP especially so like...idk how to explain it!!#but anyways I think I'm just new and I'm sick irl so just kinda stewing in the feels#nothing some gifs can't fix 🙂‍↕️#and I have to work tomorrow 🥲 but then!!! freedom!!!#anyways just rambling...#I like to hide in the tags and the side blog but I know that#hiding how I feel is blocking me from making true connections in fandom!!#I worry I'll say something silly or something#but maybe I should be more brave instead of hiding#oh anyways!!!#if you're reading all this!! thank you! hehe nothing huge just feeling dumping before slumber 😴#I hope all is well!!#sending good energy out to Franco on such a hard weekend#and to Daniel hopefully chilling and dreaming up something excellent 💞#and to y'all!! have a good night morning and afternoon!! 🌙☀️☁️#going to add a few more photos before I go!!
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petricorah · 1 year ago
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meeting on the fire nation stairs [ids in alt]
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teaboot · 2 months ago
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tranny freak :)
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coloredlion · 4 months ago
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Something about the burden of knowledge
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catboydan · 7 months ago
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no because WHERE did the """fiancé""" even fucking COME FROM. am i missing something in the vid where he had reason to pull the word fiancé out as a reference but there's NOTHING. NOTHING IN THE FUCKING VIDEO ABOUT MARRIAGE OR ENGAGEMENT LITERALLY NOTHING AT ALL.
philip michael lester are you TRYING to jumpscare us on purpose? or are you trying to prime us for... nay.... i shan't suggest something so... and just before pride month....
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zorosdimples · 5 months ago
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something that’s crazy to think about is how there are people in the world who would give up a limb or an organ to be with you... people who fantasize about loving someone as intelligent and hilarious and attractive as you, who would worship the ground that you walked on if you gave them a chance. you’ll never meet every single one of them; but there’s comfort in knowing that they’re out there—somewhere—dreaming of you.
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mokulule · 7 months ago
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The Number You Have Called Cannot Be Reached - Part 13
First | Masterlist
Ship: Dead on Main (Danny/Jason)  Fandom: DP x DC Summary:
Danny is just trying to build a portal home, becoming a thief was just an unfortunate side effect of that goal. Now if only this vigilante family would just leave him alone. Especially Red Hood - the semi retired crime lord whose ghost-like presence keeps drawing Danny to him.
Warning! This chapter is pretty rough (I think), please check the tags for triggers before reading if you have worries. Part 13:
The plan had gone off without a hitch. The Ghost had been noticeably distracted ever since Tim had asked Jason to sit their attempts to capture him out. He’d been very grateful though that it hadn’t taken long for the Ghost to appear again in Gotham’s industrial area. Jason only had so much patience. 
Thanks to Babs’ newly upgraded cameras they’d had warning and time for everyone to get together. 
Herding the Ghost to their trap had been a cinch with him only getting away from them a few times. 
The trap was set in a dead-end alley near the power plant which had power lines running through the ground underneath. They were insulated so he wouldn’t sense them. They would only be a problem if he tried to phase through them.
The Ghost froze in place as the trap came to life with electricity every wall covered with the net. It wasn’t just electrified wire it was meant to create arcs of electricity. It needed to be visible, it needed to stop their quarry in place. Tim didn’t actually want to electrocute the guy if he could help it. 
Dick jumped down to land beside Tim and Damian, his escrima sticks ready. 
The Ghost swung around, taking everything in. Then he started to sink through the ground. It was the moment Tim had been waiting for. Everything hinged on this one theory being true; that he wasn’t just afraid of electricity, but that it would stop him from phasing through. He jumped back up with a startled yelp. 
As he turned to face them mouth a thin pressed line, Tim couldn’t help the grin of a well-executed plan.
“Gotcha.”
Finally they could get to the bottom of this! But no! Tim’s instinct warned him before his brain even registered what was happening. Something about the Ghost’s posture had changed; he was looking up, tensing his body for something. 
No!
Tim fumbled for the button, his last ditch attempt even as Dick and Damian sprung forward recognizing the look of someone about to fly. He’d tossed the EMP device earlier in the night and it had attached to the Ghost’s back. He pushed the button now. 
But the Ghost was already flying having taken off like a rocket. There was a half second delay and Tim realized with horror that even if the electromagnetic pulse did anything the Ghost was in the air. 
If it did anything he would fall. 
Oo o oO
There was a pulse like a wave of static and then Danny was dropping. 
Desperately confused he reached for his powers. Flight was as easy as breathing. Gravity was a mere suggestion. Or it should be! Nothing was happening and the roof below was coming rapidly up to meet him!
In reality it only lasted two seconds, but it felt like a terrifying eternity. His arms and legs moved uselessly; without his powers he had no control.
At the last moment he pushed his arms out. His right hand landed first, there was a sharp pain in his wrist before he curled up and rolled over his shoulder, landing on his back. Air punched out of his chest in a wheeze.
His eyes were wide staring sightlessly up at the clouds as he tried to suck air into his stunned body. He needed to get away before they found him. His core was an agitated scream in his chest. But no matter what he did, he couldn’t sink through the roof. 
He rolled up onto his knees with a pained groan, holding his right wrist protectively against his chest. Terror gripped his throat in a vice grip as he pressed his left hand flat on the concrete. He had to focus. Breathe, if he could just take a moment without panicking, he was certain he’d make his powers work. His core felt normal in his chest, they hadn’t suppressed him, not like Vlad did that one time. Frustrated tears pricked his eyes, he clenched his eyes shut, forced himself to take a deep slow breath. If he just found his calm, if he just focused…
There was not even the suggestion of any give. The roof was solid. 
Danny was solid.
There was a clatter and the high pitched whine of several grappling hooks reeling in. Danny’s head snapped up at the sound, eyes wide. He scrambled clumsily to his feet - his body felt so heavy, and his aching legs protested having to lift him.  
They gathered in a half circle around him on their near silent feet - the bats, towering shadows to his blurred eyes. Blood rushed in his ears.
Danny took a step back, barred his teeth in a snarl. 
“Don’t come closer,” he warned, the implied threat was a lie. He couldn’t do anything. He was powerless, weak as a kitten. It would be no trouble for them to capture him. But worse if they could neutralize his powers, they could hold him. Danny took another step back. 
His breath came in short, punched out huffs. Cold sweat made his hair and clothes sticky. Shadows lined in harsh white light leaned over him. Agony- No! Danny shook his head, he was not there. He stepped back, the back of his knees hit a low railing.
He would never go back. 
He turned and jumped.
Oo o oO
Tim didn’t hear any sounds but the blood rushing in his ears. He hadn’t expected the sheer panic the Ghost would have. None of them had. Not even the goggles had been able to obscure how terrified he was. His voice, the first time they’d ever heard him speak, had been thin and shaky, a hollow warning to not come closer. What was he so afraid of? They hadn’t come closer and yet-
Tim felt ill. What did he think they’d do to him, that he’d rather jump off the roof?! 
Jason had been right. He needed help. And now-
The others stood at the edge of the roof. Nobody was moving. Did that mean it was too late? There was nothing to be done?
Numbly, Tim walked up to the edge and looked down. For a moment he saw nothing, but then he caught movement further away, a flash of red- relief hit Tim in a whooshed out breath that left him weak-kneed. Jason had caught him. Tim turned around and sunk down to sit back against the railing.
He hadn’t even known Jason was out here. He must have turned off his tracker. Fuck, he was so relieved Jason had been there. 
He buried his head in his shaking hands. This was on him, his plan. 
His earlier exhilarated satisfaction of a well-executed plan was crumbled and soured, heavy in the pit of his stomach like lead. His gut turned ominously. If he threw up, it would be deserved, he thought despondently.
Oo o oO
Jason went on the Bats’ comm channel only to bark at them not to follow him. With Ghost in his arms shaking and breathing too fast and too superficial, covered in the cold sweat of terror, Jason didn’t want to know what he would do if they did follow him. 
He ran across the rooftops and used the grapple when necessary. The safehouse wasn’t too far away. 
There was utter silence from that sense where Jason usually heard Ghost’s call to him. It should be a relief not to hear his yearning and be unable to do anything about it, but it just felt wrong. Like something was missing.
Jason held him closer.
“It’s gonna be okay, I’ve got you.” The words were useless, he knew that. Ghost had to be running from him for a reason even as he called for him - and Jason could understand why he’d been running from him, Jason was wrong inside, but Ghost was his only hope, and he couldn’t not chase. Right now the words were all he had, and he couldn’t let the others take him. They didn’t understand that he needed help. 
Jason’s anger over what had happened tonight was only eclipsed by his worry. Ghost might be afraid of Jason too, but not like this, not silenced by terror.
Jason repeated his useless assurances as he ran. Ghost was much too light in his arms, too thin beneath the worn clothing. Irrational fear that he would turn to dust in his arms, seized him. 
“You’re gonna be okay.” He said as much to reassure himself as Ghost.
“Please,” Ghost rasped voice unused.
Jason froze, stopping in place, hoping he’d say more. He didn’t. He pushed uselessly at Jason’s chest, still trying to escape. Jason’s heart broke. Frustrated tears pricked at his eyes.
“Please let me help you,” he pleaded. 
Jason didn’t know if his words had gotten through to him or it was just exhaustion, but he stopped struggling. Cynically, Jason leaned towards exhaustion. At this point panic and fear had to be the only thing keeping him conscious at all.
They arrived at the safehouse finally. 
It was one the others didn’t know about. Jason had a few of those as insurance. It was seemingly just a lived-in apartment, open floor plan living room and kitchen in one with artfully placed clutter, a couple of bedrooms and a bathroom. There were weapons and supplies hidden in the spaces between the real walls and the fake walls that appeared to be the apartment’s boundaries, but you’d only realize that if you checked another of the similar units in the building and noticed this one was smaller. 
Jason landed them on the sill, and worked the window open. He didn’t bother with traps, because he didn’t use it often. Using it would have been a sure way to tip off the bats of its existence. No, this and other’s like it was for emergencies, and sometimes when he needed to stash a victim or witness somewhere safe temporarily. And even if someone should try to burgle the place, Jason had some decoy money there, a large flatscreen TV and some other easily taken electronics. It was unlikely they’d find the real supplies when there were easier money. 
He maneuvered them both inside, set Ghost on the couch and closed the window and the drapes. He pulled off his helmet and set it carelessly on the coffee table - it rolled off to land on the floor. Ghost had already seen his face and hopefully, he’d respond better to a human than a mask. 
Moving slowly, trying to make himself less threatening he kneeled down on the floor in front of where Ghost had curled up in the corner of the couch.
“Hey,” Jason said trying to sound calm, when inside he was everything but. He held out his hands in peace. “I’m not doing anything, I just want to talk.”
The emotionless goggles turned towards him. Jason got nothing from him, he only had the defensive body language to read him by.
“Please say something.”
Finally something happened, Ghost’s breath hitched and he reached up to push the goggles away. His eyes were red rimmed and blurry, and they closed as he rubbed at them. Still hiding his eyes he whispered so low Jason almost didn’t hear him, “-just want to go home.”
Jason lowered his hands and slumped forward. Letting him go would be the right thing to do, Jason could argue all the way till Sunday that it wasn’t safe for him right now, with his powers out of order, but that wasn’t why Jason couldn’t promise to let him go. He desperately needed answers. How did he make the pit silent? Was it just him or was there hope for Jason?
“I have questions,” he admitted.
Ghost slowly removed his hands. His eyes were blue and wary as he looked down at Jason. Jason held his eyes and he didn’t know what he saw in Jason as the moment stretched between them, like an elastic pulled to the point just before snapping.
Ghost looked away with a pained expression, and then, unfurling slowly, Jason felt that familiar yearning. Jason shook his head helplessly. He didn’t know what to do. He wanted to help but didn’t know what to do.
“What do you need?” Jason asked.
Ghost looked back up momentarily and then away with a grimace. Shrinking in on himself. “Hey,” Jason said, frustration made him snappy, “I’m just trying to understand! It’s like you’re calling me, but I don’t know how to answer.”
That got Ghost’s attention, and his head snapped up holding his gaze intently.
“You can feel it?” He asked, and there’s this underlying desperate hope, shoved down by a voice desperately trying to hold steady.
“I can, and I just-“ He didn’t know what else to say, instead he reached out a hand to cup Ghost’s cheek. His eyes were wide and liquid and so blue before he clenched them shut and leaned into Jason’s touch with a small whimper. Jason didn’t dare breathe, as that small hum started, the one that was like a purr. Jason’s head was silent now, the underlying anger and frustration gone. In this moment he was just Jason. 
He didn’t even realize he was crying until tears spilled over his cheeks. He ducked his head. It had been some very long weeks. 
“How are you doing this?” He whispered, desperate to know. 
“I’m not sure what you mean,” Ghost answered hesitantly. 
Jason looked up to meet his tired eyes, the dark bags underneath his eyes were so dark and stark in his thin face he looked bruised. Jason looked away. Shame curled in his gut for pushing him this far. For being helpless not to give chase. He would have pulled his hand back if Ghost hadn’t still been leaning into his touch.
Quietly, he admitted, “I have this rage inside of me, you quiet it.”
“Hmm,” Ghost hummed thoughtfully with his actual voice, as he mulled over Jason’s words. “I’m pretty useless right now without my powers, so I don’t know if it’s anything I can help with permanently.”
“Okay,” Jason said quietly. Trapped in this strange bubble of quiet, desperate to break it he asked, “Do you wanna talk about what happened on the rooftop?”
The purring came to a stuttering halt. 
“That’s a no then,” Jason stated. Of course he didn’t want to talk about that, that should have gone without saying. Stupid. He sighed and stood up, drawing his hand back along with it.
“I’m just getting on the couch,” he assured when Ghost protested wordlessly. He sat down leaning heavily into the plush couch. After a moment he lifted his arm in invite. It took five long seconds before Ghost tucked himself underneath the arm. Jason squeezed him momentarily in a pitiful attempt at comfort, but it was all he could do. 
It took a moment but the purr started up again. The feeling of contentment washed over him.
Jason didn’t know how long he sat there, letting Ghost’s purr soothe his frayed mind, but he sat there so long he started to feel the temptation to just close his eyes and sleep. That wasn’t helpful. Ghost himself had fallen asleep at some point, he discovered, as he shifted and found him blinking awake startled. 
The purring stopped. Wary eyes watched him as he moved away.
“Easy,” Jason said lowly as if he actually was trying to soothe a feral cat, “I’m just gonna check to see what food options we have.” 
He watched until Ghost leaned back into the couch. His eyes were mere slits watching Jason when he turned towards the kitchen. 
Ghost needed to eat and making food was definitely more useful than falling asleep. He walked over to the cupboards, and couldn’t help but yawn as he did so. He opened the cupboards one by one, searching for something easy. A lot of the things here had technically expired and were mostly there for appearance sake. The dried herbs and spices, had probably lost most of their flavor, so actually cooking was out of the question, not to mention he didn’t have fresh ingredients here, but one of the canned soups would probably do fine. 
He turned, tomato soup can in hand to ask if that was fine only to find the couch empty. Carefully he set the can down, so he wasn’t tempted to throw it. His hand clenched into a fist reflexively with no can to hold. He walked over to the living room side of the room, just to make sure he hadn’t just moved. 
He wasn’t there.
He was gone.
Jason sighed and sat down heavily on the couch. Of course he was.
Nothing had been disturbed, not the drapes nor the windows. Everything was exactly as Jason had left it. His powers must have returned. Whatever Tim had done hadn’t been that long lasting, a couple of hours at most. He would have simply gone right through the wall.
Of course he had left as soon a he had a chance. Jason hadn’t given him reason to stay. He’d had his chance to talk and he’d wasted it just sitting and basking in his presence.
He leaned his forehead on his hands and pressed the heels of his palms into his eyes. 
He only had himself to blame.
-
So this happened... this is better/worse? At least they got to hug?
Anyways, I think I may go back to shorter tumblr parts now that these two chapters are done (if you're curious this is chapter 7 and 8 in my doc and that's what they'll be on Ao3). The last chapter really couldn't be split and this chapter only had terrible places to split it. Better to end on sad Jason.
You can subscribe over on the masterlist
Update: next
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anghraine · 6 months ago
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Speaking of the social context of P&P and Austen in general, and also just literature of that era, I'm always interested in how things like precisely formulated hierarchies of precedence and tables of ranked social classes interact with the more complex and nuanced details of class-based status and consequence on a pragmatic day-to-day level. I remembered reading a social historian discussing the pragmatics of class wrt eighteenth-century English life many years ago and finally tracked down the source:
"In spite of the number of people who got their living from manufacture or trade, fundamentally it was a society in which the ownership of land alone conveyed social prestige and full political rights. ... The apex of this society was the nobility. In the eyes of the Law only members of the House of Lords, the peerage in the strictest use of the word, were a class apart, enjoying special privileges and composing one of the estates of the realm. Their families were commoners: even the eldest sons of peers could sit in the House of Commons. It was therefore in the social rather than in the legal sense of the word that English society was a class society. Before the law all English people except the peers were in theory equal. Legal concept and social practice were, however, very different. When men spoke of the nobility, they meant the sons and daughters, the brothers and sisters, the uncles and aunts and cousins of the peers. They were an extremely influential and wealthy group.
"The peers and their near relations almost monopolized high political office. From these great families came the wealthiest Church dignitaries, the higher ranks in the army and navy. Many of them found a career in law; some even did not disdain the money to be made in trade. What gave this class its particular importance in the political life of the day was the way in which it was organized on a basis of family and connection ... in eighteenth-century politics men rarely acted as isolated individuals. A man came into Parliament supported by his friends and relations who expected, in return for this support, that he would further their interests to the extent of his parliamentary influence.
"Next in both political and social importance came the gentry. Again it is not easy to define exactly who were covered by this term. The Law knew nothing of gentle birth but Society recognized it. Like the nobility this group too was as a class closely connected with land. Indeed, the border line between the two classes is at times almost impossible to define ... Often these men are described as the squirearchy, this term being used to cover the major landowning families in every county who were not connected by birth with the aristocracy. Between them and the local nobility there was often considerable jealousy. The country gentleman considered himself well qualified to manage the affairs of his county without aristocratic interference.
"...The next great layer in society is perhaps best described the contemporary term 'the Middling Sort'. As with all eighteenth-century groups it is difficult to draw a clear line of demarcation between them and their social superiors and inferiors. No economic line is possible, for a man with no pretensions to gentility might well be more prosperous than many a small squire. There was even on the fringe between the two classes some overlapping of activities ... The ambitious upstart who bought an estate and spent his income as a gentleman, might be either cold-shouldered by his better-born neighbours or treated by them with a certain contemptuous politeness. If however his daughters were presentable and well dowered, and if his sons received the education considered suitable for gentlemen, the next generation would see the obliteration of whatever distinction still remained. The solid mass of the middling sort had however no such aspirations, or considered them beyond their reach.
"...This term [the poor] was widely used to designate the great mass of the manual workers. Within their ranks differences of income and of outlook were as varied as those that characterized the middle class. Once again the line of demarcation is hard to draw..."
—Dorothy Marshall, Eighteenth Century England (29-34)
(There's plenty more interesting information in the full chapter, especially regarding "the poor," and the chapter itself is contracted from a lengthier version published earlier.)
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peridots-pixiwolf · 11 months ago
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[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.
Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.
In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]
If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)
Design notes and shout-outs under cut! :]
The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]
> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!
Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.
Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.
Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.
Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.
Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.
Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!
Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.
Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).
(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)
Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).
Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]
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#survivor rain world#monk rain world#hunter rain world#nightcat rain world#gourmand rain world#artificer rain world#rivulet rain world#spearmaster rain world#saint rain world#enot rain world#slugcat rain world#rain world#peridots-art#< feels like too long since that last tag's been used. i can say with certainty that the majority of the reason i haven't been just as#active here (not to mention not drawing as often since that's relevant) is just due to my life getting busier with a new school year but i#do miss putting my stuff here! and would like to reblog more on top of that.... so forgive not remembering exactly how to tag everything#(and how to write everything up there but to be fair it's not like long textposts were a staple of mine. i mostly just rambled and it was#fun hehehe.....some of those notes (parts of riv/spears mostly) were written around the beginning of the drawing itself)#OH i messed something up with the drafting and really did not mean to post it while tags were in progress! but regardless. i would've liked#to post it tomorrow to mirror how i was going to post it on JAN 29 a month ago......but it's not like i'm unhappy with this outcome :]#to sum it up really though it's been strange working on this for so long.....unfortunate to not get a chance to let it be seen and keep#experimenting with odd biology much earlier but i'm just glad it's out now cause i am proud of these!! it's been a lot of fun and slugcats#are still my go-to doodles :] if i had to end this off promptly though what's up with that secret pipeyard shelter as gourm that's not on#the maps. connected to vs_a04. doesn't appear on the miraheze or interactive maps for anyone strangely but i've only been there as gourmand#anyway! i'm sure there's a lot i could've said in the rush but goodbye dear reader anyway :]#i forgot spearmy initially. i'm so sorry#peridots-described#< NOOOO THAT DOESNT SHOW UP THERE'RE TOO MANY TAGSS.......
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asgardian-arse · 23 days ago
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Okay guys… guys hear me out. Arcane Coraline AU.
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stagefoureddiediaz · 1 month ago
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Something something about us being shown Eddie developing his cooking skills before buck - that were shown Eddie being able to cook a full meal (and bake) before were shown Buck doing the same thing. And something something about that foreshadowing Eddie having his full feelings realisation before buck.
Eddie’s cooking skills are on display in 5x11 outside looking in when he cooks dinner for buck Chris and Taylor - and he’s baked cupcakes for desert as well.
But we don’t actually get shown buck cooking a full meal until the 6x01 lasagne. He’s only got as far as breakfast foods when he makes Maddie an omelet in 2x04 stuck but we don’t get shown him actively cooking again until he makes the lasagne.
After that its hit and miss on the cooking and baking front for buck - burnt lasagne in a 7 and I’m assuming his baking isnt that great in 8x07 by the way Chim has one bite and then pushes the loaf away before he masters the ziti, garlic bread etc in 807 and then later the scones in 8x08.
#there’s something about the idea that Eddie has the space and some outside help and got results quickly#that once given some help from Linda he picked up cooking quickly and easily#and he’s good at it - playing on the idea that Eddie doesn’t need to look outside of Chris and Buck and that he’ll figure that out#but buck has been struggling with it - he’s more hit and miss - he starts to get somewhere - finds a recipe that works#the baking being bad but getting better symbolises his recovery from hs failed relationship - he’s getting better#the scone being good and connected to Eddie - and the first lasagne being good and connected to Eddie#is showing us that it’s Eddie that is good for buck - that when it’s connected to Eddie it’s successful#but that buck hasn’t grasped that yet#and that it’s connected to buck - we see Eddie cook only for Chris and for buck (and Taylor but she doesn’t count really)#bucks gonna get there when he figures out he already has the perfect recipes - he just keeps trying to improve on what he already has#and he needs to recognise that and then he will figure out he loves Eddie and what they already have#so yeah the coooking and baking is a metaphor for buck and Eddie’s respective journeys to feelings realisations#I love a good metaphor and especially good ones#buckle up for bucks bumpy road ahead#food and cooking skills as a metaphor for love#Maddie raised buck - that’s why she’s breakfast food#and the scone is actually the only thing of bucks we’ve seen Eddie eat - the last thing - so buck getting the scone right is telling#it’s suggesting bucks baking adventures are over - telling us Eddie is the last - Eddie is the right one#so I don’t think we’ll be seeing buck cooking again until he’s figured out that he’s in love with Eddie#or if we do it will go badly#until he realises he’s in love with Eddie#I love this show so much#911 abc#evan buckley#eddie diaz#buddie
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ineed-to-sleep · 3 days ago
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Yk I don't think ai art will ever really substitute real art. Like I don't think a future like that is possible, and if I'm wrong, we'd be living in the saddest, most depressing version of reality.
The thing about ai is that it will never be able to tell you a story in the way that an artist who actually drew the image will. Even my old drawings I did at age 13 with the wonky poses and huge anime eyes could tell you more of a story than ai ever could, even if it was just a very human story about a kid who liked soulcalibur iv and wanted to draw her ocs. If I'd only been messing with ai back then instead of picking up a pencil, imagine how sad it would be to look back and realize the art said absolutely nothing about me or my personality or intentions or where I was at in my life and with my skills.
It might look pretty. Maybe. But that's it. The result is shallow. You can't read into it, you can't think about the person behind it, because it says nothing about them. It's honestly the saddest thing. I hate to think about a future where people only want to produce ai art because it just sounds so empty. You can see none of yourself and your tastes and your history in an ai produced image. I think that's what people mean when they say ai art is souless and has no human behind it, because even if a human used the ai tool to generate it, there's none of themselves in it.
Real art feels more like an inescapable mirror. An amalgamation of the things you love poured into every line and brushstroke. A frankenstein of everything in the visual world that has ever inspired or fascinated you, built up over a lifetime of learning and repetition. And the more you learn and the better you get the more it grows and the more of yourself you can see in it, the more it looks back and screams at you the story of who you are. If your art doesn't feel like a living thing your hands have birthed then what's even the point?
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livejournallegacy · 1 year ago
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MAD MAX (1979) dir. George Miller + NA NA NA (2010) dir. Robert Schober, Gerard Way
"I wanted to make this concept album that connected with the [Killjoys] comic. But because of that, I had changed some things about it for the sake of being part of MCR, and I made things a little more dystopian, a little more like a colourful punk-rock post-Mad Max thing." - Gerard Way
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ladyofthenoodle · 2 years ago
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“adrien wasn’t bothered by chloe’s behavior until it affected him” okay first of all it’s literally affected him since origins because it impacted the assumptions his classmates made about him but okay. i’ll grant that his disapproval of her has gotten harsher as it has hit him closer to the heart.
BUT i would like to offer an alternative perspective: this is the first time that adrien has seen chloe’s actions cause long term damage. while hawkmoth is at large, chloe’s actions usually lead to someone being akumatized - a big consequence, yes, but one where the damage is fixed with the toss of a lucky charm and some catharsis or opportunity for growth for the victim. yes, chloe hurts people and she’s mean and it’s wrong, and adrien never approves of how she treats people, but at the end of the day he’s willing to give her another chance after the day is saved. tomorrow is a new day full of possibilities and chloe can try again to be a good person, because the mess she made today was cleaned up.
this is the first time adrien has seen the way chloe’s actions continue to cause harm, months and years after the fact. this is the first chance he’s had to condemn her not for the abstract idea of how one should treat other people or the short term consequence of an akuma, but for causing lasting psychological harm to someone that doesn’t go away even after the akuma is defeated or they learn something about themselves or they get support and love from their friends. because even after all that, marinette still can’t take adrien’s hand. what chloe and kim did is burned into her psyche in a way she can’t easily heal from. and this is the first time adrien has really seen that, has seen that chloe isn’t just mean but causes lasting damage to people’s spirits. so i think yes, he reacts this way because it’s his girlfriend and it’s impacting his relationship with her, but he also reacts this way because he’s finally able to see the long term consequences of her actions in a concrete way.
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